theatlantic:A Brief History of Time Travel (in Movies)


If ever a movie earned its time-travel plotline, it’s Men in Black 3, which attempts to revive a movie franchise largely forgotten by audiences after its disappointing second entry. Men in Black 3 sees Will Smith’s Agent J going back to the 1960s to save partner Agent K (Tommy Lee Jones in the present, Josh Brolin in the past), and mines its late-’60s setting for jokes both obvious (hippies, Andy Warhol) and subtle (Rick Baker’s new alien designs, which are derived from the style of ’60s science fiction).
But if time travel, as the Men in Black would have it, is “illegal throughout the universe,” cinema is full of lawbreakers. It’s been 10 years since the last Men in Black movie, but nearly 100 years since the first time-travel film hit movie theaters. There are so many variations on turning the clock forwards and backwards in cinema that it’s difficult to say these films even belong to a unified “genre.” But every time-traveling movie has, in its own way, had to overcome the mind-bending logic problems inherent in its premise. And each, too, has played on a universal, if vain, human desire to experience a world that’s entirely unavailable to us—and perhaps to change things in our own.
Read more. [Image: Universal Pictures]

theatlantic:A Brief History of Time Travel (in Movies)

If ever a movie earned its time-travel plotline, it’s Men in Black 3, which attempts to revive a movie franchise largely forgotten by audiences after its disappointing second entry. Men in Black 3 sees Will Smith’s Agent J going back to the 1960s to save partner Agent K (Tommy Lee Jones in the present, Josh Brolin in the past), and mines its late-’60s setting for jokes both obvious (hippies, Andy Warhol) and subtle (Rick Baker’s new alien designs, which are derived from the style of ’60s science fiction).

But if time travel, as the Men in Black would have it, is “illegal throughout the universe,” cinema is full of lawbreakers. It’s been 10 years since the last Men in Black movie, but nearly 100 years since the first time-travel film hit movie theaters. There are so many variations on turning the clock forwards and backwards in cinema that it’s difficult to say these films even belong to a unified “genre.” But every time-traveling movie has, in its own way, had to overcome the mind-bending logic problems inherent in its premise. And each, too, has played on a universal, if vain, human desire to experience a world that’s entirely unavailable to us—and perhaps to change things in our own.

Read more. [Image: Universal Pictures]

Tags: movies time

Great to see Georgetown Hoyas making an impact!
bbook:

 In the last year, Brit Marling has emerged on our screens with films that are not only brilliant in their own right, but they are ushering in a new wave of American independent cinema. The actress and writer first blew us away with the hauntingly beautiful science-fiction drama Another Earth, which she starred in and co-wrote with Mike Cahill, winning the Special Jury Prize at Sundance. In her latest feature, Sound of My Voice (co-written with director Zal Batmanglij), she plays Maggie, a frighteningly seductive cult leader who claims to be from the future. The film follows a young couple who attempt to infiltrate the cult in order to expose Maggie, but they soon find themselves caught in the depths of her manipulation.
 “Everything’s starting to come together in this way and the distinctions are starting to blur—you don’t have to box yourself in as just an actor or a writer,” Marling says, as she has taken on the multi-hyphenate title with grace. In a screening of the film held last week, Marling and Batmanglij spoke about the transformative nature of the film and the way in which its entire genre can alter depending on your faith in Maggie. Stripped down to its most basic emotional elements, Sound of My Voice can be seen as your everyday love triangle—except in this case one of the people involved may or may not be a time traveler. It’s not only Marling’s riveting onscreen performances that have been engaging audiences, but the sincere intelligence of her films and the way she puts forth dynamic characters for women that feel refreshing in today’s Hollywood landscape. We sat down with Marling to dive deeper into the inception of the film, the magic in the mundane, and dealing with the apocalyptic future.
Brit Marling on Co-Writing and Starring in Sound of My Voice

Great to see Georgetown Hoyas making an impact!

bbook:

In the last year, Brit Marling has emerged on our screens with films that are not only brilliant in their own right, but they are ushering in a new wave of American independent cinema. The actress and writer first blew us away with the hauntingly beautiful science-fiction drama Another Earth, which she starred in and co-wrote with Mike Cahill, winning the Special Jury Prize at Sundance. In her latest feature, Sound of My Voice (co-written with director Zal Batmanglij), she plays Maggie, a frighteningly seductive cult leader who claims to be from the future. The film follows a young couple who attempt to infiltrate the cult in order to expose Maggie, but they soon find themselves caught in the depths of her manipulation.

“Everything’s starting to come together in this way and the distinctions are starting to blur—you don’t have to box yourself in as just an actor or a writer,” Marling says, as she has taken on the multi-hyphenate title with grace. In a screening of the film held last week, Marling and Batmanglij spoke about the transformative nature of the film and the way in which its entire genre can alter depending on your faith in Maggie. Stripped down to its most basic emotional elements, Sound of My Voice can be seen as your everyday love triangle—except in this case one of the people involved may or may not be a time traveler. It’s not only Marling’s riveting onscreen performances that have been engaging audiences, but the sincere intelligence of her films and the way she puts forth dynamic characters for women that feel refreshing in today’s Hollywood landscape. We sat down with Marling to dive deeper into the inception of the film, the magic in the mundane, and dealing with the apocalyptic future.

Brit Marling on Co-Writing and Starring in Sound of My Voice

An Infographic Guide to This Summer’s Movies
via ilovecharts

Tags: charts movies

For your summer movie (and/or list-reading enjoyment), from the incomparable Peter Nincomzuul.  Here’s a taste:

The summer will soon be upon us, and with TV going to hell, we must rely on the movies for our weakened entertainment (see what we did there?) So we’ve taken it upon ourselves to rank the summer box office weekends from Most Important to Least. Now, no one denies that the Fourth of July is the crown jewel of the season, so it’s a foregone conclusion that The Dark Knight Rises will be part of your patriotic endeavors.

Actually, the Amazing Spider-man is July 4th, Dark Knight is two weeks later.. WHAT?!? Son of a bitch.

1. July 20: The Dark Knight Rises -Batman Begins opened in mid-June 2005 with a decent $48 million. It was the first Batman since the Clooney-Nipplesuitgate debacle, and Christian Bale and Chris Nolan were relatively unknown. But it turned out to be a pretty damn good movie. And then Dark Knight dropped in 2008, and that momentum the added weight of Heath Ledger’s death earlier that year = $158 million opening weekend. New US record. TDKR is the final chapter in the Nolan trilogy. This has a Return of the King feel to it. My prediction: TDKR reclaims the opening weekend record from Harry Potter 7, makes a serious run at Avatar for the all-time domestic record, and gets a Best Picture nomination.

2. May 4: The Avengers/The Best Exotic Marigold Hotel - Yes, Spiderman is a more popular, more well-known superhero than any of the members of the Avengers. And July 4th weekend traditionally produces a bigger box office because kids are out of school. But quality matters and The Avengers is the unification of four separately successful, inter-connected, cross-promotional franchises*, an unprecedented achievement. Whereas those who remember the last Spiderman films (so, basically anyone older than Eden Wood), are still wiping the taste of #3 out of their mouths. *Power Ranking within the Power Ranking! 1. Iron Man, 2. Incredible Hulk, 3. Thor, 4. Iron Man 2, 5. Capt. America.

Tags: movies lists

The Titanic tragedy will turn 100 years old this week, and all of the media coverage surrounding the sad anniversary seems to have shocked some people who never knew the Titanic was anything more than a movie. (via PSA: The Titanic Was Real, Not Just A Movie: Gothamist)

The Titanic tragedy will turn 100 years old this week, and all of the media coverage surrounding the sad anniversary seems to have shocked some people who never knew the Titanic was anything more than a movie. (via PSA: The Titanic Was Real, Not Just A Movie: Gothamist)

thedailywhat:

Mallrats Magic Eye De-Magicked of the Day: Turns out Willam had a pretty good excuse for not being able to see the sailboat: There isn’t one.

[mefi.]

But is there a schooner?

Tags: movies

"I sat cringing before M-G-M’s Technicolor production of The Wizard of Oz, which displays no trace of imagination, good taste, or ingenuity… I don’t like the Singer Midgets under any circumstances, but I found them especially bothersome in Technicolor… I say it’s a stinkeroo."

Russell Maloney, reviewing The Wizard Of Oz after its 1939 release. Find out what other great movies the critics got wrong.

(via Flavorpill)

(via theatlantic)

Tags: movies critics

Excited for the Hunger Games, much?

Excited for the Hunger Games, much?

(Source: anaphylaxisamanda, via teachingliteracy)

Tags: movies

My Oscar party ballot: informed by having seen almost none of this year’s nominees.

My Oscar party ballot: informed by having seen almost none of this year’s nominees.

Tags: movies

Picking up some Oscar supplies

Picking up some Oscar supplies

the-overlook-hotel:

Behind-the-scenes photograph of director Stanley Kubrick standing on the set of the hedge maze during production of The Shining.
(photo by Murray Close. Close, who is now an internationally renowned photographer, began his career on The Shining.)


Creepy

the-overlook-hotel:

Behind-the-scenes photograph of director Stanley Kubrick standing on the set of the hedge maze during production of The Shining.

(photo by Murray Close. Close, who is now an internationally renowned photographer, began his career on The Shining.)


Creepy

(via juliasegal)

This is only a newsflash to anyone who didn’t read the Dr. Seuss classic. I’m not sure the Lorax was meant to be subtle.
reallyfoxnews:

Fox News loves children’s movies.

This is only a newsflash to anyone who didn’t read the Dr. Seuss classic. I’m not sure the Lorax was meant to be subtle.

reallyfoxnews:

Fox News loves children’s movies.

(via cynthiahasatumblr)

We finally saw our first best picture nominee last night

And Moneyball was quite enjoyable. I thought it did a better job than the Blind Side of blending the human interest story and the “shape of the game” side, and the acting was well done across the board.

Tags: movies

estonoesuntumblr:

Films by sunglasses

estonoesuntumblr:

Films by sunglasses

(via bryanboova)

Tags: charts movies

They apparently don’t make movies like they used to anymore.  (Or at least, they don’t have the same mustaches)!
oldhollywood:

Mabel Normand as “Mabel, Sweet & Lovely” and Ford Sterling as the moustache-twirling “Villainous Rival” in Barney Oldfield’s Race for a Life (1913, dir. Mack Sennett) (via)

They apparently don’t make movies like they used to anymore.  (Or at least, they don’t have the same mustaches)!

oldhollywood:

Mabel Normand as “Mabel, Sweet & Lovely” and Ford Sterling as the moustache-twirling “Villainous Rival” in Barney Oldfield’s Race for a Life (1913, dir. Mack Sennett) (via)

Tags: movies